
When the good Kree 
Captain Mar-Vell and the 
Avengers got together back in the Groovy Age, it was always something special. Whether it be helping 
Nick Fury take down the 
Zodiac (
Avengers #72), getting caught in the middle of the legendary 
Kree-Skrull War (
Avengers 89-97), battling 
Thanos the Mad Titan (a whole bunch'a issues of 
CM and 
Avengers circa 1972-74), or just kicking the behind of a minor (though very cool) villain like the 
Super-Adaptoid (today's objet d'art, 
CM #50, February 1977), Ol' Groove just digs it the most when Marv and the Assemblers get it together.
This extremely far-out and fun offering from Scott Edelman, Al Milgrom, and Terry Austin is mainly focused on the relationship between Marv and his human host (and former 
Avengers mascot) 
Rick Jones and separating them from their SHAZAM! inspired "trading places" dilemma that forced one of them to linger in the Negative Zone while the other did his thing on Mama Earth. Today this story would be a multi-issue mega-crossover, but back in the Groovy Age, it was a simple, done-in-one (not counting sub-plots--ya gotta have sub-plots!) 17 pager--not even a "double-size anniversary ish!" T'was a clever solution for splitting Marv and Rick, and fans dug it 'cause, as much as we dug the 
Original Captain Marvel/Billy Batson wink, wink, nod, nod, we were getting just a li'l tired of it.
Oh, before I shut up I just have to rap about a couple'a more things. First of all, I have always dug 
The Super-Adaptoid. Like the 
X-Men's 
Mimic, S-A could acquire the powers of any super-being he got near (whereas the 
Mimic could only copy mutant powers), plus he'd form bits and pieces of the uniforms of the heroes he was copying for his own duds. I always thought that was rather cool. The other thing I wanna mention is the Milgrom/Austin art. I dug it then, and I dig it now. Their styles meshed well, with Austin lightening things up a bit, making for a nice cartoony-yet-realistic look. Cosmic, dude! In fact, I think the Edelman/Milgrom/Austin era deserves a lot more love than it's ever gotten. Most folks forget about this excellent creative team as it fell between the better-known Englehart/Milgrom and Moench/Broderick eras. That should not be so! And here's why...
















