Showing posts with label supernatural superheroes and supervillains. Show all posts
Showing posts with label supernatural superheroes and supervillains. Show all posts

Friday, December 10, 2010

Random Reads: "He Is...the Grim Ghost" by Isabella and Colon


What's shakin', Groove-ophiles! With the recent announcement of Iron Mike Grell as Ardden's new Editor-In-Chief, I'm getting even more excited about that crazed comicbook company's Atlas/Seaboard revival. Of course, when I think of the A/S revival, Ol' Groove has'ta think about how much I truly dug the original incarnation back in the Groovy Age. To celebrate the nearness of the A/S revival (Grim Ghost #0 is only weeks away, baby!), here's a loving look at the original Grim Ghost #3 (April 1975). The incredible art is still by Ernie Colon, but writer/co-creator Michael Fleisher has moved on, replaced by Tony Isabella. Tony keeps the weirdness going pretty well, which reminds me how underrated Mr. Isabella was back in the Groovy Age. Gonna have to do a post on that one'a these fine days... Meanwhile, sit back and prepare to be shocked by the adventures of Matthew Dunsinane--'cause..."He Is...the Grim Ghost!"

Friday, October 17, 2008

Frightening First Fridays: Deadman

I can't wait any longer! For sixteen days I put it off, but Ol' Groove is only human. I can't go another day of... without sharing the story of my all-time favorite supernatural superhero, Deadman!

Created with equal parts desperation and inspiration by Arnold Drake, designed with class and dynamism by Carmine Infantino, and made legendary by the stunning art of Neal Adams, Deadman was the character that truly broke the DC mold. Boston Brand (Deadman's alter ego) was an unlikeable show-off with a chip on his shoulder that was matched in size only by his ego. He was a trapeze artist for a flea-bag circus. He was murdered by seemingly random circumstances by a one-armed man who was being initiated into a secret crime society. His one act of kindness toward an Indian fakir granted him the power to posses the bodies of others as he tried to track down his murderer. No rich playboys out for revenge, here. No strange beings from other planets, noble police scientists, fearless test pilots, or policemen from other planets. Marvel Comics had been stealing DC's thunder by nabbing the college crowd for most of the Silver Age. Now DC was going after the grown-ups!

I first discovered Deadman's origin when it was re-printed in the back of Brave and the Bold #97 (May, 1971), and immediately flipped over the character. I was just getting serious about comics (I'd picked 'em up now and again, but looked at the pictures and lost 'em, traded 'em, or whatever...but by 71, I could actually read 'em!), and Deadman was like nothing I'd ever seen. In his origin story he was mean, sullen, and yet there was a cool factor about him. And the idea that he was really dead...that he had to actually die to get his powers? Man, Young Groove really dug that for some reason. B&B kept reprinting those Deadman stories from Strange Adventures (issues 205-216), and I kept reading--and loving--them, especially when Neal Adams took over the art chores. Now those team-ups with Batman in earlier issues of B&B (#s 79 and 86), as well as those cool back-ups in Aquaman (issues 50-52, December, 1969-March, 1970) made a lot more sense. Soon, Deadman was appearing in the Justice League of America (#94, August, 1971), the Forever People--by Jack Kirby, no less (Forever People #s 9-10, May-June, 1972), the Phantom Stranger (#33, July, 1974), and after that, seemingly everywhere, like in World's Finest (#s 223, 226, 227, 230), back in the Phantom Stranger (issues 39-41, August-December, 1975) and Brave and the Bold (#133, January, 1977), then DC Special Series #8, DC Super-Stars #18, Challengers of the Unknown #87, and finally, back in his own series (by Len Wein, Jim Aparo, and Jose Louis Garcia-Lopez) in Adventure Comics (issues 459-466). Young Groove tracked Deadman down with the same zeal of Boston Brand tracking down his one-armed killer.

But Groove, you're saying, this is a First Friday. Let's have the origin, man! Okay, first up is the creation of Deadman, in his creator Arnold Drake's own words (from the Deadman mini-series, issue #1, February, 1985):And now, for our main feature, the origin of Deadman, from Strange Adventures #205 (July, 1967)!


Saturday, October 11, 2008

Saturday Night Special: Marvel's Monster-ous Value Stamps

If you've ever bought a back-issue Marvel Comic from 1974 to 1976, you might notice a gaping square hole in the letters pages. That's because the original owner clipped out one of those (in)famous Marvel Value Stamps! You can read all about those sinister stamps at the far-out Marvel Value Stamps Unofficial Index site, so I'm not gonna take up a lotta space here. The site tells you the whole history of the stamps, along with lotsa links to more sites with even more info on 'em. Nope, my purpose here is to collect all the scariest stamps (snatched from that aforementioned sensational site), help us continue our journey into...Check it out! Twenty-two monsters, magicians, and supernatural scoundrels destined to daunt your dreams (click to enlarge, Igor!):Twenty-two out of one hundred Series One stamps featured either supernatural heroes and villains or monsters. One might say the early Groovy Age was almost an occult age of comics! Brrrr!

And just 'cause Ol' Groove loves ya, here are the Dracula stamps from Series Two collected in all their ghoulish glory!If you can name all the artists represented in this collection, consider yourself a Macabre Master of Marvel Miscellanea. If you can name the artists and name where each pic came from, seek professional help! You read even more comics than I do, Groove-ophile!

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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!


Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.


All other commentary and insanity copyright GroovyAge, Ltd.

As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!