Showing posts with label second smash issues. Show all posts
Showing posts with label second smash issues. Show all posts
Thursday, January 2, 2014
Second Smash Issue: "The Enemy: Us!" by Moench, Buckler, and Marcos
It's January 2, 2014, Groove-ophiles! Big deal, right? We always celebrate the first, but the second? Who cares? Well, back in 2010, Ol' Groove had planned to do something about that by introducing a new feature: "Second Smash Issue". But then, I forgot. Well, now I'm rememberin', so let's get to it! You know a series is gonna be good when the second installment rocks your socks as much as (or more than) the first ish. Rich Buckler's Deathlok was one such series! Deathlok's debut in Astonishing Tales #25 is the stuff of legend. Rich's second turn at Deathlok (with scripter Doug Moench and inker Pablo Marcos) is pretty freakin' far-out, too, in Ol' Groove's opinion! A lot of the mysteries that had been set up in the first ish are made a bit clearer, some backstory is being revealed, we start to see an overall idea of where Rich and Doug plan to go with the series, and the action scenes--whoah!! Rich's glorious storytelling is jaw-dropping here, baby! From Astonishing Tales #26 (July 1974), here's "The Enemy: Us!" Dig it!!
Saturday, January 2, 2010
Second Smash Issues: Strange Tales #179/E-Man #2
Hey, hey, hey, Groove-ophiles! It's the second sensational day of 2010! Nobody ever celebrates January 2, do they? I mean, unless it's their birthday or anniversary or somethin', right? Yeah, Ol' Groove gets a bit metaphysical sometimes, thinkin' about such transcendental tripe, but it can lead to some pretty far-out brain storms. For example, my thoughts on January 2 lead me to think about how disrespectful we are to second issues of our favorite comicbooks. We can go on and on about how dynamite debut issues are, but how often do we wax nostalgic about ish #2 of--well--anything? Well, that changes today!
Welcome to the debut of Second Smash Issue, a new DotGK department in which Ol' Groove shares some of his favorite--ta dah!--second issues with ya. To kick things off, we're gonna dig into two--count 'em!--two of the best second issues to ever hit a spinner rack!
When Charlton Comics released the first issue of E-Man in 1973, we knew we had something special to look forward to in the months to come. When the second issue hit the stands in September, 1973, we weren't disappointed. The hip humor, the biting satire, the fun, and the sexiness of the first issue actually ramped up a notch, with a generous dose of pathos added to the mix. E-Man creators Nick Cuti and Joe Staton were channeling the creative spirits of Jerry Seigel and Joe Shuster, Jack Cole, Will Eisner, C.C. Beck and Otto Binder and adding a large dose of Marvel Age cool to create a truly special, memorable, and uniquely Groovy Age style superhero. Are ya starting to get the idea that Ol' Groove really, really digs E-Man? You'd be correct-amundo, baby, and here's a heapin' helping of why! Join E-Man and Nova as they meet..."The Entropy Twins"!
As much as Ol' Groove digs E-Man, there is one hero who rises to the top of my list of Groovy Age Greats. You know I'm talkin' 'bout none other than Adam Warlock, especially when Judo Jim Starlin is handling the writing and art. The second issue of Starlin's Warlock actually appeared in Strange Tales #179 (January 1975), and as much as ST #178 turned me on, this issue completely blew my mind. As a kid of 11, Young Groove got the power of Starlin's art, his design and storytelling. His use of color to set mood (handled just as magnificently by Glynis Wein in this particular ish), his deft plotting and gut-wrenching dialogue all elevated, in my mind, Starlin's Warlock to far and beyond a "mere" comicbook to something that had to be Art. As I look back, I see it as a quantum leap for comicbooks, as much a breakthrough for the 1970s as Lee and Kirby, Adams, and Steranko were in the 60s. The difference was that the darkness, the angst, the hopelessness of Adam Warlock hit us FOOMers where we lived, but it didn't do as much for fandom at large. Its place in history is set, though, and Starlin's Warlock run is revered in many circles. If you've never read "Death Ship!" before, I think you'll catch on to what Ol' Groove's rappin' about. Starlin packed so much into the story! The introduction of Pip, the Troll. Warlock's parable about leadership. All those acid-based aliens. Warlock's stealthy battle with the Death Ship's soldiers. And most of all, the big reveal of the true, vampiric power of Warlock's soul gem. This is as classic as classic can get, baby! Dig it!
Welcome to the debut of Second Smash Issue, a new DotGK department in which Ol' Groove shares some of his favorite--ta dah!--second issues with ya. To kick things off, we're gonna dig into two--count 'em!--two of the best second issues to ever hit a spinner rack!When Charlton Comics released the first issue of E-Man in 1973, we knew we had something special to look forward to in the months to come. When the second issue hit the stands in September, 1973, we weren't disappointed. The hip humor, the biting satire, the fun, and the sexiness of the first issue actually ramped up a notch, with a generous dose of pathos added to the mix. E-Man creators Nick Cuti and Joe Staton were channeling the creative spirits of Jerry Seigel and Joe Shuster, Jack Cole, Will Eisner, C.C. Beck and Otto Binder and adding a large dose of Marvel Age cool to create a truly special, memorable, and uniquely Groovy Age style superhero. Are ya starting to get the idea that Ol' Groove really, really digs E-Man? You'd be correct-amundo, baby, and here's a heapin' helping of why! Join E-Man and Nova as they meet..."The Entropy Twins"!
As much as Ol' Groove digs E-Man, there is one hero who rises to the top of my list of Groovy Age Greats. You know I'm talkin' 'bout none other than Adam Warlock, especially when Judo Jim Starlin is handling the writing and art. The second issue of Starlin's Warlock actually appeared in Strange Tales #179 (January 1975), and as much as ST #178 turned me on, this issue completely blew my mind. As a kid of 11, Young Groove got the power of Starlin's art, his design and storytelling. His use of color to set mood (handled just as magnificently by Glynis Wein in this particular ish), his deft plotting and gut-wrenching dialogue all elevated, in my mind, Starlin's Warlock to far and beyond a "mere" comicbook to something that had to be Art. As I look back, I see it as a quantum leap for comicbooks, as much a breakthrough for the 1970s as Lee and Kirby, Adams, and Steranko were in the 60s. The difference was that the darkness, the angst, the hopelessness of Adam Warlock hit us FOOMers where we lived, but it didn't do as much for fandom at large. Its place in history is set, though, and Starlin's Warlock run is revered in many circles. If you've never read "Death Ship!" before, I think you'll catch on to what Ol' Groove's rappin' about. Starlin packed so much into the story! The introduction of Pip, the Troll. Warlock's parable about leadership. All those acid-based aliens. Warlock's stealthy battle with the Death Ship's soldiers. And most of all, the big reveal of the true, vampiric power of Warlock's soul gem. This is as classic as classic can get, baby! Dig it!
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