Happy Groovy Thanksgivings of Yore!

Some of Ol' Groove's favorite comics came out in November, and I've shared a whole lot of 'em here on the blog. In a weird bout of nostalgic nostalgia, Ol' Groove would like to help you (in the U.S.A) celebrate Thanksgiving (happy Thursday to the rest of the world!) with some of my most favorite faves that I've shared here with you in our past Thanksgiving Feasts! So, instead'a cooking to enjoy these tasty morsels of comicbook wonder, all ya have to do is click! Enjoy, Groove-ophiles!

Strange Tales #178 (Jim Starlin's Warlock epic begins!), The Destructor #1 (Archie Goodwin, Steve Ditko, and Wally Wood give us a most unexpected super-hero), and Scorpion #1 (Howard Chaykin's pulp-hero supreme)! Click here to read 'em all!

Ol' Groove's all-time favorite ish of Creepy! Read the best of this issue's best here, here, and here!

Marvel's greatest one-shot mag featuring early solo tales starring The Punisher and (Howard Chaykin's "reboot" of Scorpion) Dominic Fortune and the twin debuts of The Huntress (better known as Bobbi Morse/Mockingbird) and Weirdworld!

A special (or should I say Super Special) "issue" of Savage Sword of Conan in full color!

And finally, one of the best b&w comic mags of all time! The debut of Tigerman, Lawrence of Arabia...The Sting of Death...and Escape from Nine by 1!

Black and White Wednesday: "Introducing Brother Voodoo!" by Tony Isabella

Who is Brother Voodoo? Where did he come from? No, I don't mean in the comicbook uinverse, Groove-ophile--I'm talkin' 'bout the real world! Who came up with the name? The premise? The costume? Well, way back in Tales of the Zombie #2 (July 1973), Tony "the Tiger" Isabella gave us the lowdown on how the Marvel Bullpen developed one of the most maligned and misunderstood characters in Marvel history--and Ol' Groove's got that awesome article for ya right now!

Stunned by Steranko: Sensational Special Effects

Hey, hey, hey, Groove-ophiles! Been a while since we got down with some sweet Steranko art, so today, let's take a look at some pages and panels that really blow me away--betcha they'll blow you away, too! Steranko's use of light and shadow, color, zip-a-tone, and sound effects set a new standard for comicbook art that many have tried to emulate but relatively few have approached. Check out these examples from excellence from Strange Tales #'s 154-168 (December 1966-February 1968)! Nick Fury and his agents of S.H.I.E.L.D. never looked more far-out!

Second Smash Issues: Strange Tales #179/E-Man #2

Hey, hey, hey, Groove-ophiles! It's the second sensational day of 2010! Nobody ever celebrates January 2, do they? I mean, unless it's their birthday or anniversary or somethin', right? Yeah, Ol' Groove gets a bit metaphysical sometimes, thinkin' about such transcendental tripe, but it can lead to some pretty far-out brain storms. For example, my thoughts on January 2 lead me to think about how disrespectful we are to second issues of our favorite comicbooks. We can go on and on about how dynamite debut issues are, but how often do we wax nostalgic about ish #2 of--well--anything? Well, that changes today!

Welcome to the debut of Second Smash Issue, a new DotGK department in which Ol' Groove shares some of his favorite--ta dah!--second issues with ya. To kick things off, we're gonna dig into two--count 'em!--two of the best second issues to ever hit a spinner rack!

When Charlton Comics released the first issue of E-Man in 1973, we knew we had something special to look forward to in the months to come. When the second issue hit the stands in September, 1973, we weren't disappointed. The hip humor, the biting satire, the fun, and the sexiness of the first issue actually ramped up a notch, with a generous dose of pathos added to the mix. E-Man creators Nick Cuti and Joe Staton were channeling the creative spirits of Jerry Seigel and Joe Shuster, Jack Cole, Will Eisner, C.C. Beck and Otto Binder and adding a large dose of Marvel Age cool to create a truly special, memorable, and uniquely Groovy Age style superhero. Are ya starting to get the idea that Ol' Groove really, really digs E-Man? You'd be correct-amundo, baby, and here's a heapin' helping of why! Join E-Man and Nova as they meet..."The Entropy Twins"!


As much as Ol' Groove digs E-Man, there is one hero who rises to the top of my list of Groovy Age Greats. You know I'm talkin' 'bout none other than Adam Warlock, especially when Judo Jim Starlin is handling the writing and art. The second issue of Starlin's Warlock actually appeared in Strange Tales #179 (January 1975), and as much as ST #178 turned me on, this issue completely blew my mind. As a kid of 11, Young Groove got the power of Starlin's art, his design and storytelling. His use of color to set mood (handled just as magnificently by Glynis Wein in this particular ish), his deft plotting and gut-wrenching dialogue all elevated, in my mind, Starlin's Warlock to far and beyond a "mere" comicbook to something that had to be Art. As I look back, I see it as a quantum leap for comicbooks, as much a breakthrough for the 1970s as Lee and Kirby, Adams, and Steranko were in the 60s. The difference was that the darkness, the angst, the hopelessness of Adam Warlock hit us FOOMers where we lived, but it didn't do as much for fandom at large. Its place in history is set, though, and Starlin's Warlock run is revered in many circles. If you've never read "Death Ship!" before, I think you'll catch on to what Ol' Groove's rappin' about. Starlin packed so much into the story! The introduction of Pip, the Troll. Warlock's parable about leadership. All those acid-based aliens. Warlock's stealthy battle with the Death Ship's soldiers. And most of all, the big reveal of the true, vampiric power of Warlock's soul gem. This is as classic as classic can get, baby! Dig it!