Marshall Rogers (1950-2007) was going to be an architect, but the comicbook fates had other plans for him. He worked his way up through fanzines, then pin-ups, spot illos, and splashes for Warren and Marvel's British and b&w comics, and then to back-up features for DC Comics. That's where Ol' Groove's undying love for Marshall's (he almost always signed his art with his first name, especially in the early days) artistry began. 'Twas editor Julie Schwartz who not only gave Marshall his first big break, but teamed him up with his perfect inker, Terry Austin right out of the gate.
Detective Comics was, naturally, headlined by
the Batman, and Schwartz was playing around with a variety of different characters as back-up strips. Writer Bob Rozakis came up with an innovative idea: instead of having a heroic back-up, he created a villain, the
Calculator, to serve as the series star. The
Calculator would battle a different DC Superstar in each issue, then all the heroes would team up with the Batman to polish him off. The storyline ran from
Detective Comics #'s 463-468 (June-December 1976), with Mike Grell handling the penciling chores on the first three installments. Then along came issue #466 (September 1976), and all of us spinner rack junkies got our first taste of Marshall Rogers in full, glorious color doing his superhero thing! As you can see, Marshall's style hadn't completely matured, and he was channeling Grell (for continuity's sake?), but the art was clean, crisp, and oh-so-dynamic! Check it out!
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Fandom sat up and took notice. December 1976 could've been called "Marshall Rogers' Month" because we got his art on a "World of Krypton" story in
Superman Family(#182)... the first part of the
"Tales of the Great Disaster" two parter in Weird War Tales #51...and, best of all, Marshall got to draw
the entire issue of Detective #468 where we finally got to see his take on
the Batman. And...we...
flipped!
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Next, Marshall popped up drawing
Man-Bat in the
Batman Family #s 11-13 (February-July 1977). So teasingly close to drawing the Dark Knight Detective...
When Steve Englehart took over writing
Detective Comics with issue #469 (February 1977), the back-up features were dropped, and the amazing art team of Walt Simonson and Al Milgrom came aboard. But again, the comicbook fates stepped in; Walt and Al got busy on other projects, and Julie, bless him, called on Marshall and Terry to replace them.
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Although Marshall's tenure drawing
the Batman for
'Tec was short (issues 471-479, May 1977-June 1978, and issue #481, September 1978) it was so beautiful, breathtaking, and ground-breaking that it truly became the stuff of comicbook legend. Any time you pick up a "best of" trade paperback featuring
the Batman, you can bet that at least one Marshall Rogers-drawn story made the cut. And the version of
the Batman that he, Englehart, and Austin brought to life inspired both the 1989
Batman blockbuster and
Batman: The Animated Series. Marshall's art even kicked off the 1989
Batman newspaper strip. When we look back at the most influential
Batman artists of all time,
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Marshall Rogers is always near the top of every list. When we look back at the most influential
Batman artists of the Groovy Age, he reigns right alongside Neal Adams and Jim Aparo.
Don't think Marshall's only legacy is his work on
the Batman. He drew highly acclaimed runs on
Mr. Miracle, Dr. Strange, Silver Surfer, and
G.I. Joe. He helped pioneer the graphic novel with Don McGregor on
Detectives, Inc. and Steve Englehart on
I Am Coyote. And he created or co-created such memorable characters as
Cap'n Quick, Foozle, and Scorpio Rose.
I'm glad Marshall didn't become an architect!