Hey, hey, hey, Groove-ophiles! Here's another multi-faceted gem of a Conan tale, mined from the pages of Marvel Treasury Edition #15 (May 1977). "Night of the Dark God", adapted by Roy Thomas from the REH tale "The Dark Man" is one of those epic Conan stories that just hit Teen Groove where he lived. There are scenes in it that still stick in my mind to this day. Of course, a huge part of that memory is due to the oh-so-gorgeous pencils by Gil Kane, inked by several of the industry's best (Neal Adams, Pablo Marcos, Vinnie Colletta, and (uncredited on the title page) Frank McLaughlin. Yes, this was a reprint from Marvel's black and white Savage Tales #4 (March 1974), but not only did we get to read "Night..." in that gargantuan tabloid size, but it was also in color, baby! Check it out!
Thursday, August 13, 2015
Sword and Sorcery Week! Groove's Faves: "Night of the Dark God" by Thomas, Kane, and Diverse Hands (Adams, Colletta, Marcos, and McLaughlin)
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
I have this in my Savage Sword phonebook, but I have to say, it looks really nice in color, too.
ReplyDeleteThank you,Mr Groove,for sharing.
ReplyDeleteA fine collaboration indeed.
Cheers!
/Mr Anonymous
The art is amazing, BUT...
ReplyDeleteI think the cue from the Turlogh O'Brien story "The Dark Man" is very poorly developed. The Picts and the statue (originally a statue of Bran Mak Morn) have no real relevance in the Conan story. Plus, (and let me say this with the heart of 7 y.o. reader in 1974) if Conan's plan was to break into the hall and kill them all, he could have done that 5 minutes earlier.
It's not bad, it's just that Roy has done better. I give 1 Cool for Gil Kane and friends.
Just an fyi (and you may already know this), the colorist was George Roussos using part of his old Marvel alias (George Bell) and his last name spelled backwards. This is one of my favorite Conan stories, both in B&W and color. Thanks for posting it.
ReplyDeleteI think this must have been "Bell Sossour's" only appearance in comics.
DeleteI'm not so sure Conan's plan was to kill them all. His plan was to rescue Mara. "Kill them all" became the enraged option when she killed herself. I first caught this in a Marvel Treasury Edition. Until then, my kid brain had accepted only Barry Smith as the pinnacle of Conan storytelling but Man, the Kane layouts and excellent finishes really rocked my world. Looking back at the pages, the consistency of the inks is pretty amazing.
ReplyDelete