Can you dig it, Groove-ophiles? Near the beginning of the Groovy Age, Charlton Comics unleashed Tiffany Sinn, the CIA Sweetheart in the pages of Career Girl Romances issues 38-39. James Bond was hot, and beautiful women have always helped sell some comics, so it's no wonder the folks at Charlton (perhaps premiere story writer Gary Friedrich) created such a unique strip. Today, though, we're interested in Tiffany's final appearance from ish #10 (July 1967) of Secret Agent. Why that particular tale? 'Cause "Espionage: Muscle Beach Style!" was brought to you by the Nightshade team-supreme of Dave Kaler and Jim (the Man Who Amazed Us) Aparo, baby!
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Another hidden gem of Aparo's fantastic early Charlton art! Thanks for sharing this, Groove.
ReplyDeleteIt's amazing the amount of work Jim Aparo was putting into his art considering the low page rates Charlton was paying.
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