Check it out, Groove-ophiles! You might not be able to tell it without studying the pages a bit, but "The Curse of the Hanging Man" from Ghost Manor Volume 2, Number 3 (December 1971) is actually Joe Staton's second Charlton job. Why is it so hard to tell? Charlton mainstay Charles Nicholas' heavy inks. Aren't you glad the editors quickly learned that the best inker for Joe Staton is Joe Staton?
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As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
That was an odd art combination. I would have preferred to see Nicholas inked by Staton. Now that would have been something.
ReplyDeleteI agree sadly you can barely see Staton's great art style here. Just not a great combo, you can even have two great artists/inkers and not just jell right. Just like two great actors if they simply have no chemistry together on screen.
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