Who'da thunk it, Groove-ophiles? Back in 1968, Barry (Windsor) Smith was a struggling new artist, an obvious disciple of Jack Kirby. Interesting, quirky, but with a long way to go, as is quite evident by viewing his Ka-Zar cover (inked by Herb Trimpe) for Marvel Super-Heroes #19 (December 1968).
Fast forward to 1970/71. "Bashful Barry" was famously taking the world by storm on Conan the Barbarian, but he was also applying his mucho-improved penciling prowess--ironically, based on that cover--to the Lord of the Hidden Land in the pages of Astonishing Tales (issues 3-6, September 1970-March 1971). What a difference a couple of years made!
As they did in Conan, Marvel tried pairing a variety inkers with Smith's pencils over the course of this short Astonishing Tales run: Sam Grainger, Frank Giacoia, and Bill Everett. Barry's pencils were very strong on these issues, his style really asserting itself, so the merry-go-round of inkers didn't hurt the quality of the art at all, in Ol' Groove's opinion. In fact, Giacoia (AT #5) meshed with Smith much better than he did on their Conan team-up (Conan #5, February 1971), Grainger's inks (AT 3-4) were on par with Sal Buscema's Conan efforts, and Bill Everett--well, Golden Age great Bill Everett really "got" Barry's pencils. I, for one, would have loved to have seen some Smith/Everett art on Conan. Have a look at their pairing from AT #6 (story by Gerry Conway) and see if you don't agree...
BLINDED ME WITH COMICS IS COMING THIS FRIDAY!
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Hey Groove....this must be your recurring theme this week (if so, it's a good idea!): Artists who rapidly developed into something special after a weak beginning. This work by Smith is gorgeous and light-years ahead of where he was two years prior. Smith's consistent trademark in these years were those renderings of peoples' upper lip!
ReplyDeleteMy tastes for his work have also developed. I was never a big fan of Barry Smith or Neal Adams back in their heyday in the early 70s (the two artists who made the biggest impact in those years)......but as I matured I've come to love and respect the work of both. Great work!
Y'know, Chris, I can see the theme, but I'll have to admit, it was totally by accident. Good thing I have intelligent, sharp readers to let me know what I'm doing--SOMEBODY'S gotta know what I'm doing, and if it's not me...
ReplyDeleteSeriously, I really should do a week (or month) on the subject of rough beginnings/superstardom sometime--if I don't accidentally use up all the potential subjects before I start such a project! ;D
I was quite taken with the cover to Marvel Super-Heroes # 19. Very Kirbyesque, but miles ahead of X-Men # 53 (And the interior had the delectable one-time pairing of George Tuska with Sid Greene). Bill Everett as Smith's inker in this outing was great. Bill always brought a sensational finish to whomever he was inking (his teaming with Jack Kirby on Thor # 170 - 175 still stand out these many years later). Too bad he didn't do more of it during the Groovy Age before his untimely death in 1973.
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