Cover art by Gil Kane and Mike Esposito |
Monday, September 18, 2017
Marvel-ous Monday: "Crime and Circuses" by Isabella, Mantlo, Wilson, and Kida
Greetings, Groove-ophiles! Here's part two (part one was back in June, right here) of Black Goliath's debut from Power Man #25 (March 1975)--at last! Plotted by Tony Isabella, plotted by Bill Mantlo (his color comics debut), penciled by Ron Wilson, and inked by Fred Kida prepare for..."Crime and Circuses!"
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
It's taken about 40 years but at last I've seen the only appearance of Black Goliath I'd missed!
ReplyDeleteI understand that Marvel had a need for talent as they rapidly expanded in the 70s. And golden agers were given work out of a sense of loyalty. But Fred Kida's flat inks added nothing to the stories he embellished.
ReplyDeleteThis is one of those comic books that makes you realize just how thinly the talent was spread at Marvel in the mid-1970s. You had the really great stuff, the "noble experiments," and then you had too many like this, that seemed to just be taking up space on the spinner rack.
ReplyDelete